trentimus wrote:It really seems like that is my issue with him.. he's been OVERLY technical since his rehab.. Like the accent issue on Relapse, just raining punchlines and double-time flow on Recovery, HTS was a better balance but he is still more focused on making complex rhymes than anything else it feels. Rap God I am down with because it was made pretty clear that he was showcasing his flows and ability as a rappity-rapper .. plus Berzerk is the polar opposite so I remain optimistic about MMLP2.
I am fully with your last line. Spit like that- but gritty lyrics and that's Prime-Em to me.
He doesn't seem to realize that when he's not trying so so so hard....it comes off so natural and still dope.
Beautiful, Underground from Relapse are good examples to me. Or even My Darling too. Examples from Recovery are On Fire, Ridaz, So Bad, Untitled. Other examples for me are the 2011 BET CYPHER and 2011 Westwood freestyle.
Sure....there's times the fast paced flow and overly technical lyrics stuff sounds dope, and it does a lot of times. Forever, Drop the World, No Love, Seduction, Fast Lane, Welcome 2 Hell, Loud Noises, Above the Law, etc. But it's not quite as dope as the other stuff I mentioned IMO.
And don't get me started on the accents. I thought they worked well on 3am, Stay Wide Awake, Same Song & Dance, and I actually really loved Drop the Bomb On Em, etc. But he would have been far better off doing a hint of the accent, but a more normalized voice, like Deja Vu, Elevator, Music Box, etc.
Honestly......if the album as far as spitting sounded like Ridaz, On Fire, So Bad, Untitled, Underground, I'd be thoroughly happy and it would probably be his best album hands down since TES.