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Which track do you think represents MMLP2 the most?

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Re: Which track do you think represents MMLP2 the most?

Postby kkaniff » Nov 6th, '13, 15:04

^ Faggot.
Anyway, Legacy captures the whole...reflective vibe, the looking on the past with wiser/more mature eyes that MMLP 2 is about.
So Legacy for me.
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Re: Which track do you think represents MMLP2 the most?

Postby kkaniff » Nov 6th, '13, 15:06

Fuck, ignore the "Faggot", wrong topic.
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Re: Which track do you think represents MMLP2 the most?

Postby cryonseris » Nov 6th, '13, 15:08

kkaniff wrote:Fuck, ignore the "Faggot", wrong topic.


You do know you can just edit your post?
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Re: Which track do you think represents MMLP2 the most?

Postby kkaniff » Nov 6th, '13, 15:11

I can't on my phone, for some strange fuckin' reason.
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Re: Which track do you think represents MMLP2 the most?

Postby EminemBase » Nov 6th, '13, 15:38

trentimus wrote:Rap God is one of the worst ***SONGS*** on MMLP2 to be honest.. The first verse describes it perfectly..
"You don't wanna get into a pissing match with that wappity wap fap fap wap rap rap backpack crap lack mack"
It's just a show of talent, that's it.

Evil Twin, Legacy, RoR, Bad Guy..

I don't even like MMLP2 as much as some of you groupies but the album does have a theme.. he just loosely sticks to it.. if it were any ONE track.. it's Bad Guy.. final verse at bare minimum..


It actually isn't just a show of talent (or, what you're saying @ 'just rhymes') though.

'see if I get away with it now that I ain't as big as I was... ' is a totally MMLP-esque provocation, and also a nice little expose of the selectiveness of censorship / media scapegoating. A line and point truly worthy of being relevant to the MMLP name.

Then you have beautiful writing like:

"Everybody want the key and the secret key to rap immortality like I have got
Well, to be truthful the blueprint's - simply rage and youthful exuberance
Everybody loves to root for a nuisance"

This style is the most eloquent on the album and that is not just rhyming for the sake of rhyming. He's actually intelligently commenting on himself and what he does 'everybody loves to root for a nuisance', without being obvious or too self-serious. Treating himself as a character again.

And this track is ram-packed with self-referential humour, and truly tongue-in-cheek self-analysis and piss-taking like the whole 'it's not, mainstream it's pop'... THAT is MMLP, that is not just a show of talent, that is him fictionalizing himself again, properly, humorously, politically.

This track totally houses a modern MMLP vibe and lyrics. This nonsense that it's just a display of skill is totally wrong. Some of the best lyrics/moments on the album.
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Re: Which track do you think represents MMLP2 the most?

Postby Raul » Nov 6th, '13, 16:15

Bad Guy and Evil Twin
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Re: Which track do you think represents MMLP2 the most?

Postby Kill You » Nov 6th, '13, 17:17

Rhyme Or Reason tbh.
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Re: Which track do you think represents MMLP2 the most?

Postby grayfox318 » Nov 6th, '13, 19:42

Hopsinshadie wrote:Eminem should have used Rap God style for the whole album


HI, Faggot :coffee:
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Re: Which track do you think represents MMLP2 the most?

Postby Block » Nov 6th, '13, 19:44

skimmed through the album a bit.. I cant stand most of the songs, but headlights is fucking awesome. I didn't think he had that type of shit in him still.
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Re: Which track do you think represents MMLP2 the most?

Postby jinofthewind » Nov 6th, '13, 19:57

Bad Guy's second half easily, it sums up everything I feel like he wanted to say. It's also one of the most incredible things he's ever wrote in my mind. VERY POWERFUL.
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Re: Which track do you think represents MMLP2 the most?

Postby One Mic » Nov 6th, '13, 20:04

trentimus wrote:Rap God is one of the worst ***SONGS*** on MMLP2 to be honest.. The first verse describes it perfectly..
"You don't wanna get into a pissing match with that wappity wap fap fap wap rap rap backpack crap lack mack"
It's just a show of talent, that's it.


someone needs to get they ass over to rapgenius

“Packing a MAC in the back of the Ac'” is a reference and homage to the late legendary rapper Big Punisher who is recognized as one of the best lyricists of the east-coast. On his album “Capital Punishment” there is a funny skit where Big Pun explains to his partner that “He shot the place” because he was “Packing a MAC in the back of the Ac'"

Em raps with such eloquence that he can make non-rhyming words sound like they rhyme. This tricky pronunciation is referred to here as “lyrical acrobats”.

“Backpack Rap” is a term used to describe rap artists who go against the mainstream. Yackity-yak is noisy talk: talking without saying anything. “Yackity-yack backpack” rappers might be similar to the “lyrical miracle” rappers he has mentioned in the past. Basically underground artists who think they are lyrical geniuses just because they rhyme a bunch of words without any meaning. Considering the line later in the verse about a certain Dizaster-ously bad rapper, Em might be calling someone out in particular.
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