Just Silver wrote:I think every guy should massage their prostate at least once
4Corners wrote:When the critics are actually praising something Em does.......you know he did well, he never gets love from critics.
Anyways, it's undeniably his best since Eminem Show.
It has the raw records like Brainless, Groundhog Day. Classic shady shit like So Much Better, Baby, Evil Twin. Concepts and emotional tracks like Bad Guy, Legacy, Headlights, Beautiful Pain. Experimental and artistic risks, as well as funny tracks like So Far, Love Game, Rhyme or Reason. Songs where he's just spittin and droppin bars like Asshole, Rap God.
It has every factor of an Eminem album. Is it a classic.......not by a long shot, but it's a very good album. It's every bit as good as Life Is Good and Untitled by Nas, better than American Gangster by Jay, and his best since Eminem Show.
The few bad lines here and there don't take away the overall enjoyment of the tracks, like Relapse accents did, and Recovery's horrible production did on certain tracks. And his flows on certain tracks are undeniable.
No one can rap like Em, and this project show cases his ability to rap over just about anything.
4Corners wrote:I see EminemBase is flipping from his initial stance, it's only a matter of time before people really try to say this album isn't as good as Relapse. This albums blows his last three out of the water.
Aside from everything listed in my other post, you can feel Ems passion on this album, you can feel what he's saying. I can't say the same about 99% of Relapse.
EminemBase wrote:4Corners wrote:I see EminemBase is flipping from his initial stance, it's only a matter of time before people really try to say this album isn't as good as Relapse. This albums blows his last three out of the water.
Aside from everything listed in my other post, you can feel Ems passion on this album, you can feel what he's saying. I can't say the same about 99% of Relapse.
You're not supposed to feel the same about Relapse.
Relapse is in-character throughout, just like SSLP; I don't think you can 'feel' what 'Eminem' is saying throughout either, because it's SUPPOSED to be detached and crazy. Eminem raps on Relapse in an apparent psychotic drug haze, which is why he sounds detached and gleeful in his madness. Eminem does not really chop people up or eat babies - if you think of the album more like a movie and a character playing a role, it's a lot more fun.
His fans are always looking for such a personal connection, which results in him always trying to fulfill the whine of his fanbase in that way. He tried to artistically break that with Relapse but then pussied back to it when the heat got too hot for him to handle.
Why do you need to feel what he's saying, why can't you appreciate it as a piece of great art by an amazing lyricist... why does it always have to be about his personal life.
Relapse is intentionally detached from reality, it's about how it sounds, about his vivid descriptions, about creating the feel of that unlinked madness with the concept/themes.
Relatability is the most overrated, easiest and simplistic aspect of any art, and especially Em's.
4Corners wrote:EminemBase wrote:4Corners wrote:I see EminemBase is flipping from his initial stance, it's only a matter of time before people really try to say this album isn't as good as Relapse. This albums blows his last three out of the water.
Aside from everything listed in my other post, you can feel Ems passion on this album, you can feel what he's saying. I can't say the same about 99% of Relapse.
You're not supposed to feel the same about Relapse.
Relapse is in-character throughout, just like SSLP; I don't think you can 'feel' what 'Eminem' is saying throughout either, because it's SUPPOSED to be detached and crazy. Eminem raps on Relapse in an apparent psychotic drug haze, which is why he sounds detached and gleeful in his madness. Eminem does not really chop people up or eat babies - if you think of the album more like a movie and a character playing a role, it's a lot more fun.
His fans are always looking for such a personal connection, which results in him always trying to fulfill the whine of his fanbase in that way. He tried to artistically break that with Relapse but then pussied back to it when the heat got too hot for him to handle.
Why do you need to feel what he's saying, why can't you appreciate it as a piece of great art by an amazing lyricist... why does it always have to be about his personal life.
Relapse is intentionally detached from reality, it's about how it sounds, about his vivid descriptions, about creating the feel of that unlinked madness with the concept/themes.
Relatability is the most overrated, easiest and simplistic aspect of any art, and especially Em's.
Yeah and every song on all of his other albums are personal or songs people can relate to all the time. I can listen to a track like Evil Twin, Baby, or even a straight hip hop head type track like Groundhog Day and feel what he's saying, I feel the passion he's rapping with. Relapse isn't a bad album, but it's not better lyrically than MMLP2, and it was dragged down by weird accents 90% of the time.
Relapse was his trying too hard to be weird and create crazy controversy by saying weird shit, and failing. Though I still think it's a good album.
This album has a perfect balance of what everyone loves from Em. I only wish he'd removed Survival and The Monster, and maybe Berzerk.
Give me the So Much Better, Brainless, Evil twin, Groundhog Day kind of Em over some accent shit any day of the week. Em came correct on this album, more often then not.
Menzo wrote:Great album.
Relapse sucked.
Menzo wrote:What does being a mod have anything to do with it, babycakes?
I also actually love Relapse, but the overrating here is so annoying.
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