Aftermathmusic.com:
Please introduce yourself to everybody and let them know what's going on with you!
Red Spyda:
Wussup everybody. This the 1 & onlyRed Spyda. 1 time for everybody that's down with the Red-Beam movement.
Aftermathmusic.com:
Why the name Red Spyda?
Red Spyda:
I needed a name that could stand out without me being visible in the spotlight, but relevant to the game. I feel Red Spyda has accomplished that.
Aftermathmusic.com:
Your first big project that you worked on was ... ?
Red Spyda:
The Whoo-Kid murda mixtape series, which was my access to hip-hop artist instead of submitting tracks. I could give artist concepts and play ideas for them in the flesh.
Aftermathmusic.com:
Let's go back in time a little bit, how did Red Spyda start making beats and what inspired you?
Red Spyda:
That's easy. I used 2 skip school (high school) and go to this music store called Sam-Ash and would see the latest gear coming out. I've always been around music through family and friends, but didn't think it would be a profession til someone slapped 1,500 cash in my hand for a tune I was making on a keyboard. I took the money gave him the keyboard and from then it was on.
Aftermathmusic.com:
When did you start to play instruments and which instruments are you playing?
Red Spyda:
I picked up on bass guitar since I was 7 by 15. I was on the organ, piano etc. I got in trouble alot, so I was stuck in the crib.
Aftermathmusic.com:
Do you think, its important for a producer to play instruments?
Red Spyda:
I think it's more important for a producer to know what he's doing as far as putting everything together as a whole a musician plays instruments a producer does alot more.
Aftermathmusic.com:
Let's talk about the production process on making beats. What's the first thing you do when you make a beat?
Red Spyda:
I do it in my head before I touch any equipment that way I have an idea of what sounds. I'm gonna need then I pick-up my bass guitar or if I have a beat in my head I lay it down on the MPC.
Aftermathmusic.com:
How do you make sure the drums fit the beat?
Red Spyda:
I force it to the drums are the beat everything else has to follow.
Aftermathmusic.com:
When you sample, what type of sample do you look for?
Red Spyda:
The problem I have with samples is I play, so I hear it differently opposed to someone who doesn't play I try to find hits or sounds left open and create something original out of the sound.
Aftermathmusic.com:
What equipment do you use?
Red Spyda:
Any MPC they're all the same to me. I'm not big on sound modules. I have alot of them but the sounds always sound techno or r&b know one has yet to create a hip-hop sound module with real dirty sounds.
Aftermathmusic.com:
Tell us some experiences you've had with artists in the studio or special moments.
Red Spyda:
That's a whole other interview I have to many of them.
Aftermathmusic.com:
The G-Unit production staff includes ...?
Red Spyda:
There is no main production staff that I know of personally. G-unit gives alot of new producers a chance (they are very generous).
Aftermathmusic.com:
Whats the difference between you and others production-wise?
Red Spyda:
I don't get comfortable with my work. I keep evolving where as others pat themselves on the back for something. They continue to due over and over again I'm not @ my full potential.
Aftermathmusic.com:
The G-Unit releases in 2007 are ...?
Red Spyda:
Young Buck /50 Cent as far as I gather.
Aftermathmusic.com:
Which albums are you working on right now and who have you been working with lately, what projects can we expect to hear you on?
Red Spyda:
A few up and coming Saigon, Uncle Murda, MOS, Freddie Gibbs and my new group Da-enTARAJ to name a few. I just left 50 Cent dropped off some brownies (tracks) and I'll be in LA to do some work Bishop Lamont.
Aftermathmusic.com:
Which albums would you have liked to be part of after not appearing on them?
Red Spyda:
Let's see: The Chronic, Me against the World, anything Ice-Cube, but I don't mind being a student either.
Aftermathmusic.com:
The fans wanted that you speak on "Detox", 'cause you were named as one of the producers working on this project. Can you speak on that?
Red Spyda:
That's crazy, 'cause I never banked on working on that project. It's great that my name gets brought up for things like that though.
Aftermathmusic.com:
Are you working on something with Dr. Dre?
Red Spyda:
I'm actually going to LA to holla @ the Aftermath team in March. I have a good relationship with most of the new artist on there. You can definitely expect a Red Spyda meets the D R E in 07.
Aftermathmusic.com:
Have you ever worked with European rappers or singers? I mean Marsha Ambrosius from Floetry is signed to th
