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Shady Records: Where potential goes to die

Everything related to the record label Shady Records, including Slaughterhouse and Yelawolf.

Re: Shady Records: Where potential goes to die

Postby B.A.D. » Jul 1st, '12, 10:57

Mathers wrote:
B.A.D. wrote:Eminem forgot about D12, completely destroying the group just because he wanted to go pop... he is trully a jackass

Is this really true?


if course it is... when is the last time you saw eminem showing any support whatsoever to them? or even speaking about them on interviews or anything
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Re: Shady Records: Where potential goes to die

Postby master360 » Jul 1st, '12, 12:05

B.A.D. wrote:I agree with everything from the opening post.

even on your statment of 50 Cent making better music than them... yes,.... he is.

50 Cent is the only good thing out of Shady Records now tbh.
Slaughterhouse were amazing, they signed to shady, they became crap
Yelawolf was incredibly promising, signed to shady, he dissapointed.
Stat Quo & Bobby Creek were horrible on shady, only droping trash, then they moved out of shady, formed a group together and its incredibly dope
Eminem forgot about D12, completely destroying the group just because he wanted to go pop... he is trully a jackass
Paul should be fired, yes I said it. even if he is eminem's friend, he should be fucking fired.
Cashis..... lol, why the fuck did they sign him in the first place?... he is not bad, he is ok, but... lol, I mean come on
and Obie Trice, one of the best to ever be shady and they fucked him...

Shady Records should finish tbh

Eminem already was a pop artist,he dont need to "go" pop,if for you "go" pop means make a song with Rihanna on a pop beat,the all hip hop mainstream scene is POP.
D12 are finish for so many reasons I guess,Eminem had to prepare his return,but he kept making songs with them,but they sucks,so none of those songs ended up in an album (fame,hit shoot etc),Mr Porter became a very respected producer,producing many other important artist (snoop dogg,elzhi,G. Simpson,Game,Method Man etc...) he started on a different way.And the last thing: there's no point in talking about these personal things (about eminem and d12 etc...) we'll never know the truth maybe,this doesn't concern us,we just have to enjoy the music,or not.


I fucking hate shady records for the promo,this motherfucker not promote their artist and this is so stupid and sad,but the music that comes out is not like you are describing
"just let our spirits live on, through our lyrics that you hear in our songs and we can..."
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Re: Shady Records: Where potential goes to die

Postby Mathers » Jul 1st, '12, 12:46

B.A.D. wrote:
Mathers wrote:
B.A.D. wrote:Eminem forgot about D12, completely destroying the group just because he wanted to go pop... he is trully a jackass

Is this really true?


if course it is... when is the last time you saw eminem showing any support whatsoever to them? or even speaking about them on interviews or anything

Last year.
Fuck top five, bitch, I'm top four
And that includes Biggie and Pac, whore
And I got an Evil Twin
So who the fuck do you think that third and that fourth spot's for?
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Re: Shady Records: Where potential goes to die

Postby rapaddict92 » Jul 1st, '12, 15:19

lets see if Kendrick lamars album ever drops now that hes on aftermath.
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Re: Shady Records: Where potential goes to die

Postby rapaddict92 » Jul 1st, '12, 15:21

and cheif keif signed to interscope but i dont really listen to him.
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Re: Shady Records: Where potential goes to die

Postby B.A.D. » Jul 2nd, '12, 05:23

Mathers wrote:Last year.


care to link?
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Re: Shady Records: Where potential goes to die

Postby Amaranthine » Jul 2nd, '12, 05:34

Yeah, the question asked what he was up to, and he said he was just about to go into the studio with D12.
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