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Shady Records: Where potential goes to die

Everything related to the record label Shady Records, including Slaughterhouse and Yelawolf.

Re: Shady Records: Where potential goes to die

Postby Almostlity » Jul 1st, '12, 00:23

^ Maybe because it was released fucking months ago you dumbass. It was discussed back then, a lot.

Cold > everything i've heard from Slaughterhouse this year tbh.
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Re: Shady Records: Where potential goes to die

Postby master360 » Jul 1st, '12, 00:27

Almostlity wrote:^ Maybe because it was released fucking months ago you dumbass. It was discussed back then, a lot.

Cold > everything i've heard from Slaughterhouse this year tbh.

calm down retarded,Im more kanye fan then you and I admit this song is shit,he talk about nothing WITH shitty lines,cold>hammer dance? are you drunk? cold>monsters in my head?
ok,now I understand what the problem is,not artist but PEOPLE.

and I know the song is old,but at that time people love it.Only cause is Kanye,the fucking wonderful stylish rapper.
Last edited by master360 on Jul 1st, '12, 00:30, edited 1 time in total.
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Re: Shady Records: Where potential goes to die

Postby Accor » Jul 1st, '12, 00:29

ImHungry wrote:He should fire every person who heard Relapse and Recovery before they came out and told him that these albums are great and that he should release them under his name instead of throwing them in the garbage. All the enablers of this atrocity should be fired. Eminem’s situation is similar to Kanye’s. Kanye West made 3 good albums and gained everyone’s respect. He then went on to make some pretty bad music. Unfortunately, kids that weren’t around for the first 3 albums started to follow Kanye because of the reputation he built from his first 3 albums. So they hear his new crap and think that this is what good music should sound like. The kids buy these bad albums without knowing that music can be so much better than this. All this feeds Kanye’s ego and makes him think we all want more abhorrent songs like Mercy. May God have mercy on us all and save us from this shit.


MDBTF is on par with anything he's released tho
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Re: Shady Records: Where potential goes to die

Postby master360 » Jul 1st, '12, 00:31

Accor wrote:
ImHungry wrote:He should fire every person who heard Relapse and Recovery before they came out and told him that these albums are great and that he should release them under his name instead of throwing them in the garbage. All the enablers of this atrocity should be fired. Eminem’s situation is similar to Kanye’s. Kanye West made 3 good albums and gained everyone’s respect. He then went on to make some pretty bad music. Unfortunately, kids that weren’t around for the first 3 albums started to follow Kanye because of the reputation he built from his first 3 albums. So they hear his new crap and think that this is what good music should sound like. The kids buy these bad albums without knowing that music can be so much better than this. All this feeds Kanye’s ego and makes him think we all want more abhorrent songs like Mercy. May God have mercy on us all and save us from this shit.


MDBTF is on par with anything he's released tho

MDBTF is a classic.
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Re: Shady Records: Where potential goes to die

Postby Accor » Jul 1st, '12, 00:32

master360 wrote:MDBTF is a classic.


Yeah and Cold >>> Hammer Dance.
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Re: Shady Records: Where potential goes to die

Postby master360 » Jul 1st, '12, 00:33

Accor wrote:
master360 wrote:MDBTF is a classic.


Yeah and Cold >>> Hammer Dance.

for me no.
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Re: Shady Records: Where potential goes to die

Postby master360 » Jul 1st, '12, 00:37

I remember when kanye post on his blog the "love the way you lie" song and video and every kanye stan say..."this song is ok,the best from recovery album."
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Re: Shady Records: Where potential goes to die

Postby Almostlity » Jul 1st, '12, 00:42

master360 wrote:
Almostlity wrote:^ Maybe because it was released fucking months ago you dumbass. It was discussed back then, a lot.

Cold > everything i've heard from Slaughterhouse this year tbh.


calm down retarded,Im more kanye fan then you and I admit this song is shit,he talk about nothing WITH shitty lines,cold>hammer dance? are you drunk? cold>monsters in my head?
ok,now I understand what the problem is,not artist but PEOPLE.

and I know the song is old,but at that time people love it.Only cause is Kanye,the fucking wonderful stylish rapper.


okay. I don't know how to respond to that tbh.









''Cold'' only loved because it's Ye' song? Well no shit brah, Do you even know what he's saying there? Lyrics don't have to rhyme every word to be good lyrics.
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Re: Shady Records: Where potential goes to die

Postby Almostlity » Jul 1st, '12, 00:44

anywhore, on-topic.

Shady Records is a piece of shit as a RECORD LABEL.. I'm not saying that artists are crap but the way Shady records works/handles their stuff as a records label is embarrassing.
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Re: Shady Records: Where potential goes to die

Postby Accor » Jul 1st, '12, 00:45

Almostlity wrote:
okay. I don't know how to respond to that tbh.









''Cold'' only loved because it's Ye' song? Well no shit brah, Do you even know what he's saying there? Lyrics don't have to rhyme every word to be good lyrics.


most eminem fans don't know that brah
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Re: Shady Records: Where potential goes to die

Postby Almostlity » Jul 1st, '12, 00:46

Accor wrote:
Almostlity wrote:
okay. I don't know how to respond to that tbh.





''Cold'' only loved because it's Ye' song? Well no shit brah, Do you even know what he's saying there? Lyrics don't have to rhyme every word to be good lyrics.


most eminem fans don't know that brah


Yeah i've witnessed that few times.
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Re: Shady Records: Where potential goes to die

Postby AshRoarshock » Jul 1st, '12, 03:04

Hesky wrote:


Oh shit, Yela put Interscope on blast. And he's not involved with SH album at all. Sounded like he isn't with SHady at all. like he's an outsider. Explains why he put new album aside and is recording shit in his trunk doing mixtapes again. I'm glad, Shady fuckin up. Yela not going to sit back and be forgotten like every single artist on Shady 1.0. After failing with Shady 2.0 I think Em will realize he can't run a label. Get back to his own music
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Re: Shady Records: Where potential goes to die

Postby B.A.D. » Jul 1st, '12, 03:58

I agree with everything from the opening post.

even on your statment of 50 Cent making better music than them... yes,.... he is.

50 Cent is the only good thing out of Shady Records now tbh.
Slaughterhouse were amazing, they signed to shady, they became crap
Yelawolf was incredibly promising, signed to shady, he dissapointed.
Stat Quo & Bobby Creek were horrible on shady, only droping trash, then they moved out of shady, formed a group together and its incredibly dope
Eminem forgot about D12, completely destroying the group just because he wanted to go pop... he is trully a jackass
Paul should be fired, yes I said it. even if he is eminem's friend, he should be fucking fired.
Cashis..... lol, why the fuck did they sign him in the first place?... he is not bad, he is ok, but... lol, I mean come on
and Obie Trice, one of the best to ever be shady and they fucked him...

Shady Records should finish tbh
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Re: Shady Records: Where potential goes to die

Postby dshady89 » Jul 1st, '12, 05:08

Almostlity wrote:Lyrics don't have to rhyme every word to be good lyrics.


Man, if I had a buck for every time I've read that shitty excuse of an argument I'd be rich.
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Re: Shady Records: Where potential goes to die

Postby Mathers » Jul 1st, '12, 10:03

B.A.D. wrote:Eminem forgot about D12, completely destroying the group just because he wanted to go pop... he is trully a jackass

Is this really true?
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