Miller wrote:Eminem IS a producer though. His best album production wise is The Eminem Show. He produced like 85% of that album. He co-produced almost every song on Welcome to Our House, he produced a lot for Obie, he produced Moment of Clarity and FUCKING LOSE YOURSELF! He IS a producer. I just think he should at least show up for his "protege"'s (he obviously is comparing his and Yela's relationship to his and Dre's) projects. Whether it be a beat, a hook or a verse. I know Yela can do it on his own, but he signed to Shady for a reason. He was already on a record label but he signed to SHADY anyways. His biggest promotion for Radioactive was interviewing Yela over twitter... yeah.
Yeah but Yela had 'Radioactive' done by the time he went to Em basically; he was ready to go with it, so Em just gave finishing input etc. but the input Em seems to have given, from what Yela implied, I think ruined it, and I also think ruined SH's album.
Em is able to take a 'worldwide' approach with his music and still make it authentic, and sometimes it makes it a lot better, but that doesn't mean he can just apply that to any rapper he signs, and I think the mixed reactions and low sales of Yela and SH prove that.
Em says he wants them to just do them but that's not true. He may let them rap what they want but other than that he seems to try and mould their sound to fit his vision more and it doesn't always work. It worked relatively well for Obie's first album, and for D12, but, he doesn't seem capable of creating music that is to the bone authentic and still 'big' now, he seems to compromise too much when trying to make the music work on a large scale.
And the irony is, the best music that connects internationally or has a lasting effect tends to be the music that is least concerned with appeal, if you look at NWA when they first came out and the lasting effect they've had GLOBALLY; they were totally uncompromising and from a very specific area and neighbourhood and just expressed themselves raw and authentically...
Fast forward to SH and, having Alex Da Kid beats and Skylar Grey hooks and trying to write broad themes that they're guessing appeal to a larger audience... it's just not, authentic.
I think Yela can make better music by himself now. Him realizing the failure of 'Radioactive', and actually... it failing full stop, is the best thing that could have happened. As we could have lost one of the potential greats to a path of mediocre 'hits' if it had worked, as he would have thought it was the best path. So, I'm very happy he sees the truth and is doing his thing again.