
Menzo wrote:You can tell someone like Crooked I is trash on songs that require a conceptual atmosphere and characterization, look at "Asylum". His verse was fuckin' terrible and his closing line was horrendous. Rape a male rapper's WOMB? Maybe if he said "wound" it'd be a bit more 'psychotic' but seriously, that shit is just stupid.
mdemaz wrote:dam
Eedee wrote:This album is great, SH is just evolving.Menzo wrote:You can tell someone like Crooked I is trash on songs that require a conceptual atmosphere and characterization, look at "Asylum". His verse was fuckin' terrible and his closing line was horrendous. Rape a male rapper's WOMB? Maybe if he said "wound" it'd be a bit more 'psychotic' but seriously, that shit is just stupid.
I feel him saying "womb" was the whole point... the song is about being insane and shit, so if he thinks a male rapper has a womb... he's fucked up in the head. At least, that's how I took that line.
mdemaz wrote:dam
bigray wrote:Eedee wrote:This album is great, SH is just evolving.Menzo wrote:You can tell someone like Crooked I is trash on songs that require a conceptual atmosphere and characterization, look at "Asylum". His verse was fuckin' terrible and his closing line was horrendous. Rape a male rapper's WOMB? Maybe if he said "wound" it'd be a bit more 'psychotic' but seriously, that shit is just stupid.
I feel him saying "womb" was the whole point... the song is about being insane and shit, so if he thinks a male rapper has a womb... he's fucked up in the head. At least, that's how I took that line.
Sounds fine to me as well....A Female has a Womb so it sounds like me he is basically calling all these male rappers bitches.
mdemaz wrote:dam
tadpole25 wrote:It's a good album, but far below what they're capable of. I think the big flaw is the production and when the production is too involved, it inhibits or takes away from the actual rapping.
Crooked I has been consistent, all the way through, no problems with him.
Joell Ortiz has been known to go off beat, but it was harder to in WTOH.
The beats helped Royce lay catchy hooks and it kind of masked his weak lyrics (for example, Get Up)
I think this hurt Joe Budden the worst. The album was way too upbeat and pop-friendly for his rap style.
mdemaz wrote:dam
tadpole25 wrote:That's exactly my point Eedee.
If you remove the beat in Get Up, Royce's verse sucks, but with the beat, it's a great verse.
An involved beat gave Royce a cushion to sit on, but if you listen to his mixtapes, he didn't have that cushion and he did really well.
mdemaz wrote:dam
tadpole25 wrote:I think this hurt Joe Budden the worst. The album was way too upbeat and pop-friendly for his rap style.
Trimss wrote:tadpole25 wrote:I think this hurt Joe Budden the worst. The album was way too upbeat and pop-friendly for his rap style.
Oh really? The guy has Juicy J, French Montana, Wiz Khalifa and Lil Wayne on his album lol. It's definitely not too "radio friendly" "upbeat" or "pop friendly" for his style.
Revolutionary wrote:Trimss wrote:Everybody in Slaughterhouse got skills bro that's why their rapping wasn't that bad on the album. Could've been better though if songs like Gone were on the album.
I kept Joey's verse and cut the rest because they were boooooringgg.
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