Menzo wrote:PAINKILLƎR wrote:They weren't promoted properly, especially Yelawolf.
I know, I already said that, but that's only half of the issue. Not being promoted properly doesn't mean putting out music that clearly isn't good.
I mean, Yelawolf has already conceded the fact that he purposely made Radioactive FOR mainstream appeal, which it did have, and ultimately sacrificed his artistic integrity for it. He's learned his lesson, as illustrated in that blurb Rev just posted. But have Slaughterhouse learned? They chose to make those songs, "Park It Sideways" is probably the worst song in their discography and it seemed like all their assets were put on the backburner for this album.
People LOVED them because of what their cypher sounded like, if 10 months didn't pass by and their direction wasn't so drastically different, they would have done way better. Way better. I'm more annoyed with Slaughterhouse than I am with Yelawolf, he's learned his lesson and none of his verses on Radioactive were actually bad - except maybe "Good Girl" - another forced concept.
I'm sorry, didn't know you said that. Well it looks like you just figured out what the problem was, both Yelawolf and Slaughterhouse sacrificed their artistic integrity to go for a more mainstream/appealing sound to a different kind of audience with of course ultimately resulted in the disastrous sales, music quality, etc.