PAINKILLƎR wrote:Now when I read "almost flawless" I expected you to point out some minor flaws... if any.
Hmm, well if I was being OVERLY critical I could probably go line for line and pick out the odd example where I personally think he could have chosen a better word or something but... the words he chooses and the way he does it, is what makes him him, so I think, often, the flaws of an artist make them who they are as much as the positives; it's good to have rough edges.
I don't think there's many flaws of that song tbh, but I just am hesitant to call anything 'flawless' as that suggests there's no possible improvements that could be made, I don't think I've ever heard or seen that be the case with any piece of work from anyone, ever.
But for me, it's pretty close to a flawless track... it has atmosphere, a great concept, somewhat of a narrative that builds, so it feels climatic and progressive; it's aggressive, dark, melodic, addictive and nothing stands out in my mind when I listen to it like "oh, I wish he didn't do that". I
think it's a good example of how he can use other hook singers well... as apposed to a total atrocity such as "Lighters".