Brainless BadGuy wrote:It's the same with recovery. You only take certain corny lines out of a well written song and say that a teenager could've wrote that bit, you could make that argument for any of his albums by just focusing on a few bars
Amadeo wrote:Brainless BadGuy wrote:It's the same with recovery. You only take certain corny lines out of a well written song and say that a teenager could've wrote that bit, you could make that argument for any of his albums by just focusing on a few bars
The corny lines on Recovery are mostly on songs with no overall concept or story. The lines prior to and following "stick my dick in a circle but I ain't fuckin' around" don't matter since it's a random spitting song.
The lines you quoted on SSLP aren't corny punchlines and the first two are on story songs. You can't just judge the first two examples individually without knowing how he arrived at that point in the story and how he proceeded with the story from that point onwards.
Amadeo wrote:This shit is completely ridiculous. You're quoting small parts of a story...they're not meant to be looked at as individual lines, you're meant to look at the story as a whole since it's all connected.
Of course some moronic teenager can think to write the words "duh da duh da duh duh GO GO GADGET DICK" by themselves...but that line by itself is meaningless without the context. Same goes for the first example.
That's just as absurd as pulling a quote from a Louis CK special, and claiming that "any kid" could write it, completely ignoring the other parts of the routine/bit that it's part of:
"I grew up in Boston, and in Boston, people just beat the shit out of each other for no reason."
"Very few American parents give a crap about how they raise their kids."
"I like New York."
Such mundane, lame observations.
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