CrashBand wrote:Elision wrote:MMLP2 is objectively better than SSLP in every aspect, I don't even see how this is a debate. SSLP was just more raw due to the sloppiness/grittiness of it, other than that there's nothing it has that MMLP2 doesn't (and then some)
um. wow.
it has better versions of eminem's best attributes
such as?
CrashBand wrote:better writing, flow, and delivery.
flow is subjective but how can you say anything on sslp tops the writing of legacy? or the delivery of love game's closing verse? what flow on sslp trumps what he did on baby for you? better yet what's one part of the entire sslp that em didn't do again but better on mmlp2?
Amadeo wrote:Nobody talks like Eminem does on So Far. Nobody says, "Goddamnit, to hell, I --" then pauses awkwardly, and then continues their sentence, "-- can't stand all these kids with their camera cellphones."
That's probably because he's
rapping on So Far, Amadeo.

Amadeo wrote:"Trunk Music," as it is pronounced correctly, doesn't rhyme with "fucking bitch." Yet Eminem forces the two to rhyme by not stressing the second syllable of the former
right, it wouldn't have rhymed as well otherwise.
Amadeo wrote:as it ought to be stressed in normal speech.
good thing these are lyrics and not a speech then, eh?
Amadeo wrote:I've seen Elision say that he prefers the sentence and word splitting on MMLP2.
I said I enjoy it period, had nothing to do with MMLP2. Wouldn't say I necessarily prefer it though, depends on the flow/scheme at hand.
Amadeo wrote:Which basically means he prefers lyricism to sound unnatural and forced.
It doesn't because I don't. Unless you consider sounding "natural" to be rapping like you're talking, which for me is rarely enjoyable and more often than not boring. I want to feel the energy and passion of whoever I'm listening to, I want you to sound like you're trying to take over the world when you get behind a mic, feel me? I fiend for weird/interesting flows that I haven't heard before and crazy patterns that I can hardly wrap my head around, if you can pull off those two things in conjunction you'll most likely have me as a fan. That's really as far as it goes for me man, it's not that I prefer lyrics to sound unnatural or forced, or that I only like a specific subgenre, it's that I want it to sound like you sat there writing that verse for hours with countless edits/rewrites until you've ended up with something that you feel you are simply incapable of sharpening any more. This is a feeling I get throughout most of MMLP2, but not so much on SSLP, or any of his other projects for that matter.
Amadeo wrote:Just because you prefer something, it doesn't necessarily mean it's good.
never suggested otherwise.
i'm comin in, drivin my short bus
with this nose i don't need a torch up
bustin through, light the industry's porsche up
comin after who didn't support us...
imma change your brain bring
every wicked bit of strange to mainstream
-
Tech N9ne #SpecialEffects2015