Horse wrote:Never_Enough wrote:Horse wrote:big weenie
the hook on that one is actually the weakest part of the song. i like the verses.
The I fucked up bit is awesome
Horse wrote:Never_Enough wrote:Horse wrote:big weenie
the hook on that one is actually the weakest part of the song. i like the verses.
jinofthewind wrote:And Koolo's sources said... Nothing you idiots Koolo's sources are dead they're locked in my basement
Never_Enough wrote:...2004/2005 Em was the king of choruses.
Keep Talkin', Slow Your Roll, How Come, Mockingbird, Black Cotton, Soldier Like Me, No More To Say, Welcome 2 Detroit, I'll Hurt You, Drama Setter, Off To Tijuana... damn at the time he was a goat rapper (in the sense that he actually rapped the way a goat, the animal, would do) but he had his melody game on
Amadeo wrote:Never_Enough wrote:...2004/2005 Em was the king of choruses.
Keep Talkin', Slow Your Roll, How Come, Mockingbird, Black Cotton, Soldier Like Me, No More To Say, Welcome 2 Detroit, I'll Hurt You, Drama Setter, Off To Tijuana... damn at the time he was a goat rapper (in the sense that he actually rapped the way a goat, the animal, would do) but he had his melody game on
All of the choruses in bold were just singing with the main melody in the instrumental...the easiest, laziest, least creative option to take when you're crafting a chorus for a song.
Who the fuck actually enjoys his singing on Off to Tijuana? That's painful to listen to.
Never_Enough wrote:Fucking prick.
As Menzo said, if it sounds good it's good, I don't give a shit if it's lazy.
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