Remember when Eminem just rapped?

[Drax207]

I like CWYWF a lot tbh, the beat and the hook are so great

[Kill You]

Careful What You Wish For is so boring, I'd rather listen to Beautiful...

[Coulter]

Damn, why the hate for CWYWF? That was his best song, coming out of his pill-stages. It had no accent and was really interesting. Spoke about the re-rating of his albums and was basically the layout for his song Cocaine. The first verse talking about how the rap game screwed his life up, while so addicting, same point as Cocaine. But wait, that was the new Em, so it had to have been good. Shit man, MMLP2 drops, and all of a sudden, My Darling and CWYWF become shitty. You people sometimes..

[shoaibkhanz]

Bad Guy's Demon >>>> My Darling's Demon..

[shoaibkhanz]

or shady it is.. whatever!

[nxt-semster-illB35]

p-p-people don't like my darling??...... Personally I think its one of the best comeback songs. One of the only recent songs that has the creative storytelling that "feels" like old-school em. I really like the use of the sound effects and the dre phone call spliced it. Its got that self-referential content in it like the 4th bad guy verse too. I think the back and forth between the SSEP demon is awesome, GOAT stuff.

CWYWF is boring to me though. Not bad but feels bland.

[Jimmy Conway]

Fine i'll use songs off the album as an example

they're scratching at the back of my trailer like I'm itching to get hitched
Yeah, I'm rich as a bitch
But bitches ain't shit, I'd rather leave a bitch in a ditch
Bitch you complain when you listen to this
But you still throw yourself at me
That's what I call pitchin' a bitch
That's why I'm swinging at this chicks on sight
Long as I got a bat and two balls it's foul, but my dick's on strike
So all that love shit is null and void, bitch I'm a droid
I avoid Cupid, stupid wasn't for blowjobs you'd be unemployed
Oi-oi-oi, man oh man, your boy-boy-boy's getting sick of these girls-girls-girls
Oink-oink-oink, you fuckin' pigs, all you're good for is doink-doink-doink
"I got 99 problems and a bitch ain't one"
She's all 99 of 'em; I need a machine gun

That is all classic Em. Smooth flow, simplistic rhymes set up in a stardard formula with impressive enunciations (meh Shane gun) It's all great and I wish there was more of that on the album Sight, strike, void ,droid. It's just simple, smooth, good.

But even this great first he has to fuck the end of it up by screaming AND I'm GOING TO THROW A PARTY AFTER THIS.

I've hate every time he screams anything acapella off the beat like, it's so fucking terrible.


Another amazing verse that's an example of what I want more of

So you'll be Thor and I'll be Odin
You rodent, I'm omnipotent
Let off then I'm reloading
Immediately with these bombs I'm totin'
And I should not be woken
I'm the walking dead
But I'm just a talking head, a zombie floating
But I got your mom deep throating
I'm out my ramen noodle
We have nothing in common, poodle
I'm a doberman, pinch yourself
In the arm and pay homage, pupil
It's me
My honesty's brutal
But it's honestly futile if I don't utilize
What I do though for good
At least once in a while so I wanna make sure
Somewhere in this chicken scratch I scribble and doodle
Enough rhymes to
Maybe try to help get some people through tough times
But I gotta keep a few punchlines
Just in case cause even you unsigned
Rappers are hungry looking at me like it's lunchtime
I know there was a time where once I
Was king of the underground
But I still rap like I'm on my Pharoahe Monch grind
So I crunch rhymes
But sometimes when you combine
Appeal with the skin color of mine
You get too big and here they come trying to
Censor you like that one line I said
On "I'm Back" from the Mathers LP
One when I tried to say I take seven kids from Columbine
Put 'em all in a line
Add an AK-47, a revolver and a nine


I love when he just smooth flows that ride with beat with words that rhyme at the end of bars


I'm surprised he wasn't like

Censor you like that one line I said
On "I'm Back" from the Mathers LP
One when I tried to say I take seven kids from Columbine
In other words I'm gonna shoot them
Put 'em all in a line (whispered)
Add an AK-47, a revolver and A NINEEEEEEEEE (caps off beat acapella)

[nxt-semster-illB35]

Fine i'll use songs off the album as an example

they're scratching at the back of my trailer like I'm itching to get hitched
Yeah, I'm rich as a bitch
But bitches ain't shit, I'd rather leave a bitch in a ditch
Bitch you complain when you listen to this
But you still throw yourself at me
That's what I call pitchin' a bitch
That's why I'm swinging at this chicks on sight
Long as I got a bat and two balls it's foul, but my dick's on strike
So all that love shit is null and void, bitch I'm a droid
I avoid Cupid, stupid wasn't for blowjobs you'd be unemployed
Oi-oi-oi, man oh man, your boy-boy-boy's getting sick of these girls-girls-girls
Oink-oink-oink, you fuckin' pigs, all you're good for is doink-doink-doink
"I got 99 problems and a bitch ain't one"
She's all 99 of 'em; I need a machine gun

That is all classic Em. Smooth flow, simplistic rhymes set up in a stardard formula with impressive enunciations (meh Shane gun) It's all great and I wish there was more of that on the album Sight, strike, void ,droid. It's just simple, smooth, good.

But even this great first he has to fuck the end of it up by screaming AND I'm GOING TO THROW A PARTY AFTER THIS.

I've hate every time he screams anything acapella off the beat like, it's so fucking terrible.


Another amazing verse that's an example of what I want more of

So you'll be Thor and I'll be Odin
You rodent, I'm omnipotent
Let off then I'm reloading
Immediately with these bombs I'm totin'
And I should not be woken
I'm the walking dead
But I'm just a talking head, a zombie floating
But I got your mom deep throating
I'm out my ramen noodle
We have nothing in common, poodle
I'm a doberman, pinch yourself
In the arm and pay homage, pupil
It's me
My honesty's brutal
But it's honestly futile if I don't utilize
What I do though for good
At least once in a while so I wanna make sure
Somewhere in this chicken scratch I scribble and doodle
Enough rhymes to
Maybe try to help get some people through tough times
But I gotta keep a few punchlines
Just in case cause even you unsigned
Rappers are hungry looking at me like it's lunchtime
I know there was a time where once I
Was king of the underground
But I still rap like I'm on my Pharoahe Monch grind
So I crunch rhymes
But sometimes when you combine
Appeal with the skin color of mine
You get too big and here they come trying to
Censor you like that one line I said
On "I'm Back" from the Mathers LP
One when I tried to say I take seven kids from Columbine
Put 'em all in a line
Add an AK-47, a revolver and a nine


I love when he just smooth flows that ride with beat with words that rhyme at the end of bars


I'm surprised he wasn't like

Censor you like that one line I said
On "I'm Back" from the Mathers LP
One when I tried to say I take seven kids from Columbine
In other words I'm gonna shoot them
Put 'em all in a line (whispered)
Add an AK-47, a revolver and A NINEEEEEEEEE (caps off beat acapella)

you literally captured exactly the problem with eminem these days. needs to fucking calm down and just rap normally.

[4Corners]

I think Eminem sounds just fine on 95% of the songs.

How can someone complain when we're getting stuff like Bad Guy, Rhyme or Reason, So Much Better, Asshole (he drops bars in this), Groundhog Day, Legacy, Rap God, Baby, Brainless, Headlights, Evil Twin, Don't Front, and even the fun classic Shady stuff like Love Game and So Far.

I'm happy as fuck with this album aside from 1 terrible track, and 2 mediocre ones.

[4Corners]

Also, sorry for the DP, but his yelling on this album sounds so much different than what he was doing on Recovery and HTS, even though I still like those releases too.

Simple with MMLP2......he's rapping with an assurance that he hasn't had since Eminem Show. He's got so much passion and assurance in his rapping on this album. That's the only way I can explain it. There's some bad lines here there, but they don't take anything away from the songs at all.

[yoda you can call me]

Also, sorry for the DP, but his yelling on this album sounds so much different than what he was doing on Recovery and HTS, even though I still like those releases too.

Simple with MMLP2......he's rapping with an assurance that he hasn't had since Eminem Show. He's got so much passion and assurance in his rapping on this album. That's the only way I can explain it. There's some bad lines here there, but they don't take anything away from the songs at all.

couldn't agree more, on both posts

[yoda you can call me]

yeah man. i love that section on brainless. delivered it nicely.
i think he forced most of recovery tbh

[sandro]

but then again.. who wants a plain Eminem?