unmissingpiece wrote:@Vintage, When you think about it, the critical reception of Recovery wasn't that great. It was 4% higher than Relapse (59/100) and even lower than Encore's. It's (excluding Re-Up) his 2nd lowest critic score.
Also, I think Relapse really showcased some of his best story-telling. It was atmospheric and dark and beautiful (to me.) There's some real classics on there, whereas on Recovery I can name one: GTC. And I think SSLP was more than a showcase of ability. It was creative, witty, and brilliant, not chock-full of poor production, punchlines, and shouting.
And in Recovery, what can you take away from "Cold Wind Blows," (great song, but what's the message?) "Won't Back Down," "W.T.P." "So Bad," "Cinderella Man," and "Seduction"?
Also, I think the reason people prefer Recovery to Relapse is because from what I've seen, Relapse takes time to digest, whereas Recovery wears on you after a while. People hear from others that Relapse is mediocre, then go and listen to that album with that mindset and dismiss it after that. I've encouraged some more casual Em fans I know to take another listen to Relapse. And they've all decided over time, that they prefer Relapse to Recovery. Take a look at Youtube and even the recent qs on Y!A, the opinion on Relapse and Recovery has definitely changed from 2010.
It's true that Recovery was a far better move commercially, as he featured pop artists and had more emotional, mainstream-appealing records. However, that's not a reason as to why Recovery's a better album. It may have been a smarter move career-wise because it appealed to the masses.
Just my two cents. It's not "stupid" to give Recovery a 9.5, because everyone has there own opinion, but I still don't see your reasoning behind it.
I've not seen any negative reviews for Recovery from respected sources. And it generated more Grammy noms than any other album he's done. Not that Grammy noms determine which one of his albums is the best, but it does show critics were very warm on that album.
Never mind critics though, every one I know in real life prefers Recovery to Relapse save for one dude as I mentioned before. He's one of my best friends and we had a big discussion over the two albums when MMLP 2 dropped and I encouraged him to go back and re-listen to Recovery because he had that same "it was too pop" opinion that most on here seem to have. Then he called me back and said "bro he's going hard on a lot of these records." I was like yeah that's what I told you.
Eminem's reasoning behind Recovery is really the best way I can describe it. He said something about how, on Encore and Relapse, the jokes and the shock value stuff works on first listen, and that's it. Then the joke gets old. He wanted to make songs that were timeless. Songs like Sing For The Moment, Till I Collapse, Lose Yourself. Which is when he's arguably at his best. When he has a real, and serious topic to write about. Now, the songs on Recovery may not be of the same quality as the aforementioned songs, but I appreciate the effort. I also think, as I said before, it was a very diverse record. His most well rounded album (well, until MMLP 2 dropped, which may give it competition in terms of variety) but look at his previous works. Slim Shady was largely word play songs, just flexing his rhymes and getting his feet wet. Marshall Mathers was largely anger driven music, pretty much a fuck you to his detractors on a lot of the tracks. Eminem Show was a mature record and largely personal, most of the songs were a reflection of that. Encore was largely humor based, although the jokes fell flat. Relapse was horror driven content wise, and relied heavily on technical skill. But look at the variety on Recovery:
1.) Cold Wind Blows - Classic Shady feeling track. Somewhat humorous spitting track.
2.) T2M - A personal record about his state of mind while battling his addiction, watching the rap game from the sidelines
3.) On Fire - Just pure spitting
4.) WBD - A rock driven track of just spitting. People may or may not enjoy it, but that's what it was
5.) WTP - Classic Shady joke track. Every album has at least one, and this was it.
6.) GTC - A personal record about fighting through his addiction
7.) Not Afraid - An anthemic, motivational record about overcoming your demons and rising above. Making it out of a dark place. Again, whether you like the track or not, objectively, that's what it is.
8.) Seduction - Smooth spitting track which shows Eminem in rare super cocky form.
9.) No Love - Pure spitting
10.) Spacebound - Twisted spin on a love song. It ends with Eminem choking the girl to death and killing himself. Pop sounding as it may be, it has dark imagery.
11.) Cinderella Man - Anthemic motivational track. That classic underdog theme he's known for writing about.
12.) 25 To Life - A song about his place in the game told from the perspective of a damaged relationship.
13.) So Bad - Chill, entertaining track with a typical Dre beat.
14.) Almost Famous - Pure spitting
15.) Love The Way You Lie - A love song about an abusive relationship.
16.) You're Never Over - Emotional track about the death of his best friend. A relatable track for anyone who's ever lost someone.
17.) Untitled - Pure spitting
Bottom line, it had different moods. If I was in a silly mood, I could put on WTP. If I was going through some tough times, I could throw on Not Afraid or Cinderella man. If I was in the middle of a shitty relationship, I could put on LTWYL, Spacebound, 25 To Life. If I wanted to vibe out I could put on So Bad. If I wanted to appreciate lyricism and Eminem going off, I could put on On Fire, Almost Famous, Untitled, etc.
Whereas Relapse, I can only be in one specific mood to appreciate it. A dark mood. That's it. That serial killer stuff is on almost every song, so much so that, any song that isn't (Deja Vu, Beautiful, We Made You) feels largely out of place.
I like diversity on records because I don't feel just one way all the time. I feel a variety of emotions and Recovery covers most of them. That's why I consider it a much better record.