Blu wrote:Why is EVERYONE about Hopsin? He makes one song down-talking teenagers that smoke weed and get laid and all off a sudden he's some miracle preacher sent from the Heavens? Get the fuck outta here.
As far as this forum is concerned, I think Ill Mind 5 had the opposite effect. The enthusiasm behind him here isn't any higher than before, and for some people, it may even have cooled a little. Hop has his stans though, and there are a few here.
Personally, I think Hopsin has the type of content now to fit in on a Kendrick track, but I'm not sure he has the intelligence. He's not stupid, and his wit is self-evident, but Kendrick makes a lot of historical and cultural references. Hopsin just isn't that type of rapper, and that's perfectly fine, but that should be enough to keep him off a Kendrick album in my eyes.
In all honesty though, on the topic of over-zealousness in regards to praising an up and coming artist, I can't help but feel like some people have gotten caught up in the hype over Kendrick Lamar. Don't get me wrong, he's a breath of fresh air in many ways, and he definitely brings a certain level of artistry to hip hop that hasn't been seen in a newcomer for a long time...but I can't help but feel disenchanted when I hear him talk about pussy and weed. I've only gone through Section .80 a time or two, but I wasn't as impressed with it as I thought I would be.
I plan on giving him a few more listens, but I'm starting to think that his stuff just isn't for me. I like him more than Q, with whom I've been quite disappointed with up to now. Maybe "Hands on the Wheel" just soured my view of him, but it seem like everyone has rose-tinted glasses on when looking at Black Hippy. While they do the type of music they do better than almost anyone out, it seems like they only sprinkle intellect and truth among moments of the same low brow bullshit that west coast rap music has been bringing us since the beginning.
So I'm sure Good Kid, M.A.A.D. City will be a great rap album, with moments of startling clarity and gritty reality. Unfortunately, I'm afraid that despite these encouraging aspects, this album will do little to advance the art form far beyond its roots.











