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RHYME TUTORIAL 2 - Study This Shit (Another one)

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RHYME TUTORIAL 2 - Study This Shit (Another one)

Postby 4D » May 28th, '07, 20:46

A lot of people have said that they really enjoyed and learned from the first Rhyme tutorial I posted on here, and some have requested that I post some more, so here we have it. Another one, with some more hints and tips for all of us to improve and perfect out craft, get reading and post your feedback, let me know what ya think of it.


OK FOR THOSE WHO DON'T KNOW:
I GOT THIS FROM ANTHER SITE SO PROPS TO THEM..

1: What are multis:
2: sum tips
3: meaning of the votes
4: writing lyrics
5: 4 freestyle tips
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1: :::MULTIS:::
What is a multie?
Multies are a method of rhyming more than one syllable together. Before we go into what a multi is, however, you will need to know what is not a multie, because there are a lot of people out there that think they use them, but really don't.... I've seen it many times.

These two examples are not multies
Example 1:
grabbin the four, bust thru the door to murder a whore/
smash the slut wit a board and lay her head on the floor/

Example 2:
if i catch u fussin u get busted in the nugget wit musketz/
tucked in the mud wit ur fingers thrown in a bucket/

The first one was just rhymin words together more than once (four, door, whore, board, floor). Though it seems that would be multiple rhyming, it is not. Multie is short for multi-syllable rhyming, which is exactly what it says: rhyming together multiple syllablez. The second example is not a multie either. The reason? Musket, bucket, fussin...these are all suffixes...suffixes do not count as a rhyming syllable. The mud wit, or tucked in, those would count as a multie, but I try to stay away from using words such as is, in, the, if...as a multie. It sounds better when u use full words. These are not "prominent syllables" (keep reading).

This next example IS a multie
Example 1:
snatched off ya feet, breakin-ya-neck, stick a stake-in-ya-chest/
then start chokin ya soul, fuck ya life, i'm takin-ya-death/

You see how breakin-ya-neck, stake-in-ya-chest, takin-ya-death all rhyme together at more than one point? break, stake, take...and neck, chest, death. Words do not always have to rhyme EXACTLY. Rhyme, crime, time would be exact rhymes. Nine, life, five are not. However, in rap, they both work just as well, tho exact rhymes do sound ever-so-slightly better to the ear.

You do not have to put three multies in one bar (two linez)....You can put only one in each line, or as many as you want, as long as you don't stretch your lines! (See Wyzerd's tutorial on bar length.) You will see in rhyming multies that not every syllable has to rhyme. It so happenz that the two middle syllablez in the example above are all in and ya. That's great if it happenz to be, but take for example exit-woundz, next-to-you, wreckin-crew.

What has to rhyme and what doesn't.

You will notice in rhyming that you have both "prominent" and "silent" syllables. in the example above, in and ya would be silent. You hear them, however their soundz are not prominent or stressed when spoken. In two syllable multies (wu-tang, blue-flame), of course, both syllablez will rhyme, or it wouldn't be a multie! In three syllablez, usually the first and last syllable rhyme (stomp-his-back, drop-the-batz, cockin-macz). You can variate on this, such as (babblin, travelin, abdomen, javelin, snatchin-men), but we'll get into that more next lesson. The same applies to four syllables as with three. Most often the first and last syllable rhyme, tho if the ones in between rhyme as well, more power to you! When u get into five syllables, usually the first, second and last, or the first, fourth and last rhyme: (shit-in-ya-stomach, rippin-em-from-it, spit-when-i-gut-him...these are all first, fourth, fifth). You also have your first, second and last (slap-bitches-wit-batz, my crack-itchez-so-bad, cats-spittin-like-fagz). As always, if more than those syllablez rhyme, more power to you. You may ask, what about six syllablez and so on, but after u get to five syllablez, anything more doesn't flow right. It's too long for your brain to really pick up on when you hear it. I suggest keeping it at five or under. Of course, it should go without saying, the first syllablez will always rhyme, because that is the start of the multie!

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2: :::SUM TIPS:::

Tip#1: Be Creative

Almost all the newcomers battle with the same, generic punches.
"I'll shoot you with my tech nine/ Take out your spine"
Something like that.. well let me tell you this.. it's all been said before, and therefore is boring, and unoriginal. If you must talk about shooting people with your guns that you probably don't have.. let alone touched, at least be creative about it and try saying it like no one else has... such as
"I dare you to look down the barrel-of-my-gun/ And what's left of you.. there'll-be-none"
It's saying the same thing the first punch did, but it's said with a uniqueness that the ordinary MC wouldn't think to use. Creativity is a category that a lot of voters use to judge the battle on, therefore you should be more creative than your opponent to win the battle.

Tip#2: Be Personal

You should NEVER, NEVER rap a verse at someone without being personal. It other words... make sure the person you are dissing knows that you are dissing them specifically. It's ok to use punchlines that could be said to everyone, such as "You got no skills/ Not only that.. you got no bills" but it's better to use a play on their name. For instance.. if the rapper's name was Rap It Up... you could use a personal punchline on them such as "You probably like it when men slap-ya-butt/ You gotta kid now cuz you forgot to Rap-It-Up (wrap it up)". The more personal you are the better your verse will be, and the better chance you have to win the Personal category voters use to rate the battle on.

Tip#3: Keep Your Flow

The flow of your verse could very likely be the difference between the win and the loss. If you don't have a good flow to your verse, then the voters have a hard time reading it and may not get the full effect of what you're trying to say. If you have a line that is "xxxxxxxxxx" long and then the next line is "xxxx" long then the reader may not read it right, and therefore may be confused on what you're trying to stress. It's just like flowing to a beat... you have to rap to the same beat throughout your verse, don't change the tempo. If you can do this, the better chance you have to outweigh your opponent in the Flow category.

Tip#4: Use Multies

Ok.. I need to point out something.. I bet if I asked everyone what a multi was, 45% of the people would get it wrong and 45% just straight up wouldn't know.. and those numbers aren't good since it's a major voting category. A multi is multiple syllable rhyming within the same line. For instance:
The best-ya-not so I'll leave ya rest-to-rot/He rhymes 'Old Fashioned' like Wendy's rest-au-rant//
There is a multi in the first line with best-ya-not and rest-to-rot, but there is not multi in the second line. In an example here:
You're dead so I'm a leave you rest to rot/ Face it in this game, the best-ya-not//
There is no multi, because the rhyming isn't on the same line.. make sense?

Tip#5: Don't Talk About Yourself

You are dissing your opponent, therefore you should be putting him down, not upping yourself. Saying things like "I'm the best/ from the east to west" is doing nothing but hurting yourself. If your not making fun of your opponent, you might as well be making fun of yourself.

Tip#6: Avoid Fillers

Fillers are lines that you use simply to set up your next line, while saying nothing. A filler would be "You better check the clock.." if that was a line, what was saying or doing to diss your opponent? Nothing. Everyline should be hurting your opponent.

Tip#7: Hit Hard

Punchlines should be completely murderizing your opponent, not just saying rhymes. An example of a weak punchline would be "Your so stupid/I'll shoot you like cupid" If someone said that to me, I wouldn't be offended what-so-ever... you really need to diss your opponent and be a bastard, otherwise battling isn't for you. An example of a hard punchline would be "You think that you're some kinda concentration champ?/
B.itch, I'll put you in a concentration camp"... now that hurts. Harder punches will win you the Punchline category.

Tip#8: Use Wordplay

Wordplay is well... a play on words. This means saying one thing and it's also meaning another. For instance "I'm a 'bug killer', spraying this pest-aside (pesticide)." The play is on the word 'pesticide.' Wordplay only works well when it meaning makes sense both ways. If you said "I'm gonna make you dye (die)" it doesn't work because saying 'I'm gonna make you dye' doesn't make sense, even though 'I'm gonna make you die' does. Wordplay helps win the Wordplay category, as well as the Creativity category as well, so itвЂ
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Postby ,-,'-{Bar}-',-, » May 28th, '07, 20:56

i aint got time to read right now but i will tonight

thw first one really helped me out way back at the start of me writing/battling, so hopefully this one will be just as good, Props :worship:


oh and fordie, or who ever mods rap battles along with cgame

you should get the first one and this one and make a new thread and have them both in it then stickied :happy:
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Postby Ethos » May 28th, '07, 21:11

Thanx for this :worship:
It was a good read. and I ve learned a lot from it. :p
R.I.P. Nate D-O-Double G

Westside all day 'n night!!!
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Postby Tash8 » May 28th, '07, 23:58

good read 4d >:D
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Postby Hadez » May 29th, '07, 00:03

propz for this :worship:
those are nice freestyle tips, they're very handy since im not good at it :sweating:
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Postby J Roc » May 29th, '07, 03:22

thanks man,i wasent tryin to get personal or nothin but now i know :shifty:
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