Satire wrote:Class, didn't I already own you in the Balancing Act vs. Recovery debate? Remember the hooks?
Yeah that's right bitch back down
classthe_king wrote:Satire wrote:Class, didn't I already own you in the Balancing Act vs. Recovery debate? Remember the hooks?
Yeah that's right bitch back down
@ your logic
Satire wrote:classthe_king wrote:Satire wrote:Class, didn't I already own you in the Balancing Act vs. Recovery debate? Remember the hooks?
Yeah that's right bitch back down
@ your logic
@ MY logic? More like the RIGHT logic.
Sadistik may have gorgeous production and a relatively high skill-set but as long as his album doesn't have catchy hooks, Recovery > *
classthe_king wrote:Actually, Recoveries hooks were so bad that they went into the negative scale so no Sadistik hooks were better than Recovery's hooks
Satire wrote:classthe_king wrote:Actually, Recoveries hooks were so bad that they went into the negative scale so no Sadistik hooks were better than Recovery's hooks
Okay, how is that even possible? The Balancing Act had like 1-2 hooks on the entire album if I remember correctly (If you can consider Mac Lethal's....thing, a hook). And you can't deny that So Bad was a good hook.
Speaking of Sadistik, one thing that pissed me off about Wake Up Dead is that it had a great sample used in the beginning that he could have made a good hook out of, but didn't
Satire wrote:Name 10 bad hooks on Recovery
Also, the same goes with the ending of Murder Of Crows
Satire wrote:Name 10 bad hooks on Recovery. If you can't, it's not -2/10.
Also, the same goes with the ending of Murder Of Crows. That chick killed it.
Users browsing this forum: Google [Bot]