HEADSHOT!
Master Chief wins.
Master Chief wrote:So, you prefer personality and purpose (whatever that means) over rhyming, flow, delivery, production, and just overall lyricism? Plus, you total dumbass, the EP has its fair share of content/purpose that isn't just about nothing if you actually knew how to analyze and listen to Hip Hop music. Oh yeah, d00d! Take From Me, The Reunion and Lighters are about absolutely nothing... Yeah, this guy is a fucking moron. It's been proven time after time but goddamn. GOAT doesn't have personailty either, it's a fucking pill zombie drooling and slurring over a beat. The Apple is saved by the great content, amazing hook and the fantastic beat. Not that bad rhyming. Get Money is just aimless and bad, it has literally 0 purpose. Difficult is very emotional and heartfelt but lyrically and rhyming-wise it's a trainwreck. Almost as bad as GOAT in that aspect.
It's an insult to Hip Hop and Eminem that you honestly believe that Welcome 2 Hell or fuck it the WHOLE EP is inferior to THAT. It just further illuminates you as a complete dipshit. And I love how you didn't mention Emulate which is the only song on SFTV that is actually good enough to be compared to the EP.
Menzo wrote:whiteamerica wrote:Menzo wrote:You're a fuckin idiot.
ok. and wow. after a relisten just now i can't believe class likes take from me the best.... though i thought everything from the EP was trash. take from me eminem screams like crazy and goes really fast in some parts for no reason making it seem awkward and not fluid.
Your attempts at trolling are laughably inferior to your attempts at imposing a coherently concise and thought provocative debate.
whiteamerica wrote:Master Chief wrote:So, you prefer personality and purpose (whatever that means) over rhyming, flow, delivery, production, and just overall lyricism? Plus, you total dumbass, the EP has its fair share of content/purpose that isn't just about nothing if you actually knew how to analyze and listen to Hip Hop music. Oh yeah, d00d! Take From Me, The Reunion and Lighters are about absolutely nothing... Yeah, this guy is a fucking moron. It's been proven time after time but goddamn. GOAT doesn't have personailty either, it's a fucking pill zombie drooling and slurring over a beat. The Apple is saved by the great content, amazing hook and the fantastic beat. Not that bad rhyming. Get Money is just aimless and bad, it has literally 0 purpose. Difficult is very emotional and heartfelt but lyrically and rhyming-wise it's a trainwreck. Almost as bad as GOAT in that aspect.
It's an insult to Hip Hop and Eminem that you honestly believe that Welcome 2 Hell or fuck it the WHOLE EP is inferior to THAT. It just further illuminates you as a complete dipshit. And I love how you didn't mention Emulate which is the only song on SFTV that is actually good enough to be compared to the EP.
i guess i just miss the eminem who could incorporate sick lyricism behind a purposeful concept....
and wait. you don't prefer purpose to punchline filled nonsense?![]()
perhaps "technically" eminem packs in some considerable multies in the EP. i haven't given it enough listens to dissect every song to find every single clever little piece of wordplay. but can you blame someone for not adoring the guy yelling at "cheesy bitches because they can't compete with the real macaroni"?
sure you can look his stuff and say, wtf kid. not EVERYTHING he does is content based and purposeful. i realize that. but even when he was putting in multi filled verses he had some structure and reason behind it.
imo: it went from eminem LP = a few content based, the rest multi based (with ideas woven in)[not too mention only LEGITIMATE features<----(other rappers near/in his league)]
to-----> eminem LP = less content based, the rest multi based (with silly punchlines) [features like Rihanna, Lil Wayne (only there to sell the record)]
you won't agree with me ever because you are set on sucking Eminem's cock until he retires (probably by then having ruined his 3/4 respectable albums with his garbage which is unlikely to be replaced by real eminem ever again) so i'll just leave you alone from now on
dchen93 wrote:what do you think of a kiss? i think the rhyming and delivery are great on that. the back-and-forth between the two of them, especially on the third verse where they trade every few lines and use the same rhyme schemes is really impressive. the delivery is also great - he switches between calm and energized in a really natural way (for example, the "come on stripper let's hit the strip 180, throw it in reverse ...). reminds me of kill you.
also there are really great rhyme schemes scattered throughout the ep that are also very interesting. i'm not a fan of the delivery on i'm on everything, but this part is great:
break that Klonopin in half
While I smoke some chronic in the cab
with Donovan McNabb
And I dye my hair back blonde again and laugh
lighters as a whole is a pretty shitty song (hook and beat are terrible), but i thought his verse had a lot of passion. the delivery was good, and this "i love it when i tell them shove it..." part had excellent internal rhyming.
echo was a great verse all around. should have made the ep.
and the reunion had a great hook, really catchy and pretty funny, has the shady vibe to it.
and energy? the second half of the above the law verse, reminded me of third verse of amityville.
so overall i think the ep is solid, the technical aspects of rhyming are great (a huge improvement over recovery), he's switching up his delivery and it sounds great on a good number of the songs, and i personally think the subject matter was consistently entertaining (though a bit homogenous, but that can be forgiven since they were just fucking around making songs mostly with no real direction).
Satire wrote:Wow, really?
classthe_king wrote:Satire wrote:Wow, really?
Yes.
Satire wrote:classthe_king wrote:Satire wrote:Wow, really?
Yes.
I just don't get it. I don't see that much difference in the delivery/flow from some Recovery songs like No Love.
classthe_king wrote:No Love is a lyrical disaster and the flow wasn't perfect on this song but it was much better than that choppy flow.
Satire wrote:I honestly thought the speed up & down flow on No Love actually added to it for once. It gave the verse a certain momentum, which is what he seems to aim for when he collabs with Wayne.
I just don't see why you like this song. I mean, I understand why people would like it, but I don't understand why you like it when you hate all of Em's recent work. I'll admit the closing lines are dope as fuck, but the flow he uses to open his verse is so chopped up, the beat is so meh, and his voice still sounds shot. Plus the hook is annoying as fuck.
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