Menzo wrote:I actually can't even listen to that album without my stomach knotting up because of how tight the flows and lyricism was and the idea of him tossing it out in the fuckin garbage. Fuckin Marshall...
Yeah that's the most annoying thing he's done in his career thus far to me.
I'd tolerate another fucking album of "Lighters" to get
Relapse 2.
If he had taken everything to the proper extreme with those albums and TRULY ignored people like he said he would, and not been a fucking baby... man, it could of been a mind-blowing era. I wish I could control Eminem lmao. Like a puppet. Just use his talents and brain to create the music I want from him and stop him ruining it in small ways.
Even
Recovery man. There's some seriously amazing music there but again, he fucks up the end result in a big way, with the producers. I feel like ripping my hair out lmao. Because he keeps nearly getting things perfect but then just tarnishing it in some way.
If
Recovery was produced by him and tbe Bass Bros, same songs, same lyrics and a few more Em choruses rather than the samples (which you wouldn't have with quality Bass Bros prod anyway) then I honestly think it'd be a classic. I never knew how much of a difference production made until he hashed all that greatness with them hacks.
I mean, just imagine "Cold Wind Blows" with a simple, melodic, quality, musical Bass Bros beat. It'd be hip-hop heaven. The track is fucking classic anyway and the beat is one of the better ones. Problem with the production throughout is it's too clashy, too much going on.