Menzo wrote:whiteamerica wrote:relapse was eminem.... 8 months older made that much difference? the warning?
i'm just saying he's not the same. he's a business guy now. he signed yelawolf for christ sake. i mean he's not a cash money status failure but yelawolf is not good....
Oh? What the FUCK does signing Yelawolf have to do with being a sellout? If Yela isn't "good" then clearly he isn't doing it for money, numb nuts, it's obvious he sees a different style in him.
Another thing, I think it is VERY obvious that Em signed 50 just cuz he knew gangsta-rap was gonna be huge and 50 was a HUGEEEE cash cow in that regard. So yeah, guess Em sold out 10 years ago.
whiteamerica wrote:i disagree totally. you have it flip flopped. relapse feels so much like an em album. the production is dre. the lyrics are there. recovery is poppy production (ruins album). some lyricism, lots of punchlines. i think recovery is definitely the sellout fake album.
Idiocy shines through the thickest of storm clouds, eh?
I
agree that Relapse's production was miles ahead of Recovery's - Recovery had some nice ones though, I loved
25 To Life's beat. Does it sound more poppy? Yes. The general SOUND is relatively poppy. But are his lyrics? No. Fuck to the no.
Aside from
Not Afraid, what sounds poppy? Actually, aside from
Not Afraid's hook, it's hardly a pop song at all! It's Eminem being his honest self - like he has done on
every single album.
He doesn't sacrifice his lyrical abilities or content on Recovery. Not at all. So what, he uses a lot of punchlines automatically means he sold out? Hell, Copywrite and the rest of the underground are littered with punchlines, good and bad ones, but that doesn't mean they've sold out...so that argument is tossed into the trash, along with his non-sacrificial lyrics/content.
What's left? His features...well, as much as I hate to say it, Lil Wayne is one of the most popular mainstream rappers out there - trust me, I would have much rather seen him work with the likes of Nas, Monche, even Jay. Pink's inclusion on the album is nothing out of the ordinary, they're both rebellious figures and I'm personally surprised that it took him 11 years into his career to work with her. And finally, Rihanna's feature was so blatantly obvious. I don't think Em believes that she has a nice voice, cuz it sucks a lot at times and I don't like it on the hook but it works - anyways, Em is writing a song from his personal perspective of a domestically violent relationship in a storytelling way and WHAT BETTER WAY TO EXPRESS THE SONG'S CONTENT by using a FEMALE celebrity who was involved with the same issue but from opposite perspectives!
So yeah, he totally sold out yo! Hell: The Sequel was even wacker! Such poppy beats on that bitch ass record too and he barely rhymes more that 2 syllables!
Thanks for your statements, my ass has been rid of all its shit now, want it back?