by KillahBee » Aug 26th, '11, 16:55
I can see where you're coming from man, but I'm not so sure
C3, for me, does continue that template you suggested: It's the album that marked Wayne's stamp on music, not just hip hop, but in gerenal, it made Wayne a superstar, and Wayne's performance on their alludes to that....Although I feel it's probably the worst of the series, I think C3 is Wayne at his most creative, it blends Wayne's weirdness, lack of "staying on topic" style, and mic skills unlike anything he's released before or after, I mean Lollipop and Shoot Me Down, Phone Home and Tie My Hands, on the same album? That album was mess, (not saying that's a good or bad thing) but that's where he was at when he released it, it's like he said, "fuck it, I had a perfect album on my hands before you fuckers leaked it, so I'm gonna start over, do whatever the hell I want on it, and it'll still smash a million in the first week"
Lets say C1 is Wayne building the foundation, C2 is Wayne establishing himself, and C3 is him realising he's got to here he wanted to be: The biggest figure in hip hop (maybe even any genre) at that time
C4? I'll need to listen to it more to see where it fits in, but he did bring back the Intro/Interlude/Outro format from the first two Carter's, so it should fit in somewhere with the series
Same sword they knight you they gon' good night you with
Sh.., Thats' only half if they like you
That ain't even the half what they might do
Don't believe me, ask Michael
See Martin, see Malcolm
You see Biggie, see Pac, see success and its outcome
See Jesus, see Judas; see Caesar, see Brutus
See success is like suicide
Suicide, it's a suicide
If you succeed, prepare to be crucified[/i - Jay-Z
I'm on my balcony, seeing through the eyes of Tony