Lello wrote:EminemBase wrote:Curtis isn't a bad album by a good artist. It's a bad album by a bad artist.
Get Rich or Die Tryin' is a good album by a bad artist.
Anyway, I would say...
Radioactive by Yelawolf. It's harsh to call it a 'bad' album... as there are some great tracks and moments on it. But there's some real missteps and the album goes downhill from track 6, it feels like Encore in the sense that its intent is muddled, it feels compromised and confused.
Such a disappointment.
you say it goes downhill from track 6, I say it's the complete opposite tbh
these tracks:
-Radio
-Write Your Name
-Made in the U.S.A.
-Animal
-The Last Song
(along with Growing Up in the Gutter), are my favorite on the album
"Good Girl" is the stinker which makes it feel as such. It breaks the flow and rhythm of the album.
The track was forced, and it was obvious from day one. Yela didn't even want to do it, he let people talk him into doing it. Such a shame that this is what 'art' has come to - forcibly conforming to presumptive wishes of faceless audiences. Fucking money ruins everything.
"Made in the USA" is good, it's a good concept.
I also like "Animal", "The Hardest Love Song in the World" is not good to me and then "Write Your Name" also just feels contrived. Though the concept is okay.
I like "Radio", LOVE "Slumerican Shitizen".
It's so clear which tracks came from his heart and which were attempts at radio. I don't give a shit whether a track is an attempt at radio or not as long as it's good, but half of these tracks fit, and half don't. It sounds muddled and he sometimes sounds out-of-place and confused.
"Growin' Up in the Gutter" and "Slumerican Shitizen" are the Yela I want to hear, and the two best tracks on the album to me. And it's a crime he took "No Hands" off. All those tracks have a similar vibe, they're gritty and if he had stayed dedicated to this theme, I think it'd be a classic.










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