
mattthegod wrote:Thanks much appreciated. I feel like your right about Lighters, but its a good track nonetheless and 1 track won't fully ruin an EP. This is what relapse should have been lol. Its shady at his shadiest and it would've been the perfect comeback. And I'm a HUGE Royce fan so he was nice to hear.
Relapse1 wrote:mattthegod wrote:Thanks much appreciated. I feel like your right about Lighters, but its a good track nonetheless and 1 track won't fully ruin an EP. This is what relapse should have been lol. Its shady at his shadiest and it would've been the perfect comeback. And I'm a HUGE Royce fan so he was nice to hear.
Relapse was more Shady than the EP.
InsaneTRex94 wrote:Nah, you said that on Relapse he wasn't a lyrical monster. That album has vicious lyricism, everything about the songwriting is so sharp, it's crazy.
InsaneTRex94 wrote:Relapse1 wrote:mattthegod wrote:Thanks much appreciated. I feel like your right about Lighters, but its a good track nonetheless and 1 track won't fully ruin an EP. This is what relapse should have been lol. Its shady at his shadiest and it would've been the perfect comeback. And I'm a HUGE Royce fan so he was nice to hear.
Relapse was more Shady than the EP.
Yes, we get it, you like to stick your dick into the the hole of the Relapse CD. Okay.
That was a joke, if you didn't get it.
I love this EP, always have. I just hate hearing the end of "A Kiss" then hearing Bruno's faggy voice. It makes me cringe.
InsaneTRex94 wrote:Nah, you said that on Relapse he wasn't a lyrical monster. That album has vicious lyricism, everything about the songwriting is so sharp, it's crazy.
Menzo wrote:The only tracks on Hell: The Sequel that really sounded like vintage Slim Shady were:
- The Reunion
- I'm On Everything
- A Kiss
Meaning...those were the only tracks where he seemed sharpest with his funny lines, vivid imagery, punchlines. The rest of the songs felt more like 'Fire Marshall' - a lyrical bombardment.
Users browsing this forum: No registered users