cheeseburger wrote:Revolutionary wrote:It's not underrated though, most of it was forgettable.
Yeah tbh it was very OVERrated.
It was going from "this album will change the game, this will be in the top 10 etc." to "I feel hip hop needs this album now, it will influence new upcomers in 5-10 years. We were high during this album, next one will be better cause we´re clean now thanks to marshall.."
I like a couple of songs on there, but I havent listened to it more than maybe 4-5 times for real. Sad really
It's because it was a total sack of shit compromise.
Royce's cheeky fucking ass telling 'fans' to go buy the album "for hip-hop" too

, no, you mean for pop chart attempts and your bank account Royce.
How the fuck is supporting compromised, lukewarm half-rap, half-blatant-radio-attempts and trying-to-fit-in-tunes good for hip-hop; that's what's known as bullshit. The kinds of people they wanted to buy in to those records aren't even fans of hip-hop ffs.
If you wanna do something for hip-hop or have any credibility then stop putting out "Lighters" and Alex Da Kid tracks Royce. Probably just as much Em too, he's totally on that
Recovery high... sigh. They keep justifying this meeting-half-way bullshit, which actually makes no sense as their only INITIAL fans are fans who love hip-hop and expect something original... and because their rapping and styles are too lowkey for anything bigger or pop'er, fans of 'big' and 'pop' ain't gonna like it, or it won't connect... and all they do is alienate the real fans they did have. Totally pointless.
And you don't 'gain fans' either, as you'd just be gaining fans who aren't really in to what you do or don't know what your art is, it's a really strange thing, to try and appeal to faceless, imagined demographics of popularism on some vague hope they will like you and you can trick them, and then claim to be in any way authentic
They should just realize that if they put their ARTISTIC all in to something, and blow people away - THAT is what will sell records. Most of the biggest hip-hop records in history (sales and/or legacy) are not pop-rap.
The Marshall Mathers LP is the biggest solo rap album ever, and it's as hardcore as you can possibly get, and as original and daring and weird as you can get. That says it all.