classthe_king wrote:Mac Miller makes absolutely terrible music.
loll, if that's the only thing you disagree with from my post... i guess we're on the same side. smh
classthe_king wrote:Mac Miller makes absolutely terrible music.
classthe_king wrote:Aone10 wrote:^^^I agree with what you are saying....but....
What are the chances that more people will get into those independent artists?
Example: 2pac, Eminem, Nas, and Jay-Z got me into hip hop when I was between 8 and 10 years of age.
You know what the introduction to hip-hop is for those kids now? Lil Wayne, Drake, 2 Chainz, etc. etc.
Who is to say they will grow an appreciation for complex lyricism and stripped down beats?
It has hurt the quality of music....especially hip-hop...there is no denying that. Even the underground rappers were better in the late 90's and early 2000's.
This is a terrible argument. Anyone who actually likes rap will find other artists than Lil Wayne, Drake & 2 Chainz.
Aone10 wrote:classthe_king wrote:It's still a terrible argument.
No it isn't. I know plenty of younger teenage kids who don't listen to rap because they see Lil Wayne, Drake, and Kanye and they think it's corny, so they don't bother getting into rap. Sadly, that is what represents rap today. It takes someone like me to show them old hip-hop songs and underground acts such as Atmosphere for them to get into the genre. That doesn't always happen, so no. It is not a terrible argument. The only way you can get into different styles of hip hop is through research on the internet, in order for that to happen, you have to garner some sort of interest in the genre.
Back then you had balance. You heard Back That Azz Up on the radio and right after you heard Hard Knock Life. Or you heard The Real Slim Shady and then the Block is Hot. Even artists like Em and Jay have to collaborate with certain producers and artists to stay relevant. One of my in-laws grew up liking old Em when I showed him to her. She thinks Recovery and Relapse is garbage. If nobody would've ever showed her his old material, her opinion of Em would be that he is garbage.
My argument is that the internet hurt sales, which in turn hurt the quality of music since record execs became interested in ringtone songs and radio singles rather than focusing on creating complete albums (since nobody is buying them anyway). This decrease in quality may turn certain demographics away from the genre.
We are finally seeing some change though. Kendrick's good kid, m.a.a.d city was huge for this internet era (it has already gone gold) but even he had to make a song like Swimming Pools and throw Drake on Poetic Justice to sell.
AbramIsaac wrote:I think the positive most definitely outweighs the negative.
It's up to fans to decide what they want to hear now, and when they do, they are generally more satisfied with the decision. Good music cuts through the bullshit, regardless of how saturated the internet is with mediocrity. At the end of the day, touring and doing live shows is what will separate an internet rapper from a marketable artist anyway.
Now, if you're good, you don't need a label for distribution. You can hit all of the online retailers they would get you into, and even some of the physical brick and mortar locations as well. You may not get on MTV, but you can have 1,000,000 YouTube views from people that actually want to hear your music, as opposed to some empty headed idiot just looking for background noise between reality TV shows.
It's made the major record labels more cautious, and less likely to take risks, but fuck the major record labels. For the most part, they haven't been putting out good music for a long time, and they've been fucking the few good artists they had in the first place with their bullshit contracts that were bad before the internet even became the new normal. They can all fucking fall to shit, and it wouldn't bother me at all.
Most of the interesting stuff is coming from independent artists now anyway.
Aone10 wrote:I think the label told him to put Swimming Pools on the album. I don't know about where you're at, but in Miami they constantly play Poetic Justice on the radio.
LEVITIKUZ wrote:Revolutionary wrote:He would eat 2 steaks and still have room for a third. He went to a steak restaurant for his 40th birthday, remember?
No because Em didn't invite me.
Aone10 wrote:classthe_king wrote:It's still a terrible argument.
No it isn't. I know plenty of younger teenage kids who don't listen to rap because they see Lil Wayne, Drake, and Kanye and they think it's corny, so they don't bother getting into rap. Sadly, that is what represents rap today. It takes someone like me to show them old hip-hop songs and underground acts such as Atmosphere for them to get into the genre. That doesn't always happen, so no. It is not a terrible argument. The only way you can get into different styles of hip hop is through research on the internet, in order for that to happen, you have to garner some sort of interest in the genre.
Back then you had balance. You heard Back That Azz Up on the radio and right after you heard Hard Knock Life. Or you heard The Real Slim Shady and then the Block is Hot. Even artists like Em and Jay have to collaborate with certain producers and artists to stay relevant. One of my in-laws grew up liking old Em when I showed him to her. She thinks Recovery and Relapse is garbage. If nobody would've ever showed her his old material, her opinion of Em would be that he is garbage.
My argument is that the internet hurt sales, which in turn hurt the quality of music since record execs became interested in ringtone songs and radio singles rather than focusing on creating complete albums (since nobody is buying them anyway). This decrease in quality may turn certain demographics away from the genre.
We are finally seeing some change though. Kendrick's good kid, m.a.a.d city was huge for this internet era (it has already gone gold) but even he had to make a song like Swimming Pools and throw Drake on Poetic Justice to sell.
Aone10 wrote:classthe_king wrote:It hurt sales, that's it. I don't think the quality of music has decreased at all. I think it's been the opposite.
The quality of music is opinion based. So it has hurt the hip-hop industry, but, a lot of these rappers wouldn't even be selling records if it wasn't for the internet.
I guess the correct answer is that it has hurt mainstream hip-hop music. MTV not playing music videos also sucks. If MTV were to still have shows that were related to music, Kendrick Lamar would've gone platinum already! Shows like TRL and Direct Effect really helped some hip-hop artists get great exposure (including Eminem).
EDIT: Can you imagine how hyped up Eminem's comeback would've been on MTV?????
Aone10 wrote:I'm not against the internet, I really don't care if people sell albums or what people listen to. I'm only stating that it has hurt the hip hop industry (that was the question) in the sense that sales have gone done and that hip-hop isn't as good as it used to be. I'm simply blaming the internet for it. I think it's great that I'm able to discover other artists through the internet. I'm saying that most people aren't going to do that, they rely on radio and mainstream media.
Songs like Big Poppa and Mo Money Mo Problems shit on any single you hear on the radio today. That's exactly the point I'm trying to prove. What was considered mainstream hip-hop back then is far greater than mainstream hip-hop today.
Swimming Pools was definitely a radio friendly song. That hook was your typical overproduced/catchy hook that you hear in hip-hop today. Poetic Justice is going to be the 2nd single. It's already getting radio play like crazy. The track has become popular because Drake is on it, and that's what the general public wants to hear.
Btw, GKMC wasn't the best selling hip-hop album of 2012. It was Nicki Minaj's Pink Friday:Roman Reloaded (it was also the only 2012 release to achieve platinum status).
Users browsing this forum: No registered users