Geno wrote:Well at least a theory can be made for Relapse...what does Recovery have, in terms of a cohesive undertone? Nothing. It's essentially "I'm back to normal" while rapping on beats that aren't in his comfort zone, while using a plethora of punchlines, when he's typically never done that.
So it's a lie.
Recovery = cake
Recovery is about confidence (and exaggerated arrogance and bravado - hence all the big dick and 'I'm so awesome' punnage) self-belief... and recovery (rather than dwelling on the negatives, he states them and shows he's overcoming / overcome them... such as overcoming his public downfall and addictions on "Not Afraid", overcoming the depression and darkness of "Going Through Changes", ending on a positive note, celebrating Proof's influence and using it as fuel to get stronger ETC. so there is a consistent mindset throughout the album, even if as a whole it's flawed).
He admits his flaws and overstates his pluses.
The title actually has a somewhat genius byproduct resonance when you consider the fact it was the album that 'recovered his commercial status' - whether you consider that important or not doesn't matter, the fact it was a very big album with two #1 singles straight off the bat gives that title a whole new meaning, it's like a statement in his career... it becomes his historic comeback album and the title means more because of it. You also have the fact that Detroit / the economy was in a state of recovery (is, I should say, but particularly then), and on the alternate cover you have the GM Renaissance Center in the background, which was in a state of major economic recovery.
So I actually think the title is fairly brilliant, and he metaphorically aligns himself (visually only) with the recovery of Detroit / its economy and encapsulates that spirit of a fighter and rising to the ocassion with things like "Cinderella Man". It's less of a concept, more of a theme, I wouldn't say it's a bad one, the production just sucked dick. If he had produced it and made a few songs more with more of an outward glance or commentary... it could have been special. Because the timing of it, with that title, the economy... the concept of being in a state of recovery... that could have resonated in a much bigger way if his perspective wasn't so particular and insular.
He did intend that relevance too, the GM being in the shot is obviously very significant and intentional, and he talked about not having made an album that's completely relevant yet. This could have been it, but the music and way he did it felt too messy and disjointed unfortunately. It's annoying that you keep seeing genius potential in everything he does but he just keeps missing the mark in some way and wasting the opportunity now.