VINTAGƎ wrote:aog34 wrote:What's crazy is I agree and get what you're saying vintage. I think eminem actually proved his technical wizardry on relapse and refill already an it was so ahead of its time that it's kind of caught a cult like following and appreciation currently. The inner workings of a serial killer theme while playing that angle linguistically is what he was doing and was brilliant. I consider it a concept album from him in full "evil" mode that still amazes me every time.
The em I truly miss and echoes your argument is the "straight forward" conceptual em.
Guilty conscience
Kim
Stan
Lose yourself
Bonnie and Clyde
Songs that weren't caught up in lyrical wizardry but having a "big picture" approach with a story acted out by him talking to you in rhyming Forman while not compromising his flow and his inflections in his voice immolated the emotion perfectly. That is when em is king and cannot be fucked with. I felt bad guy would've been way more effective with that approach.
What you're basically saying is that em should get back into "re-inventing" rap again as opposed to "competing" and step into unchartered territory like he's done in the past with the current scene. I 100% agree.
This is absolutely what I'm saying.![]()
When he's on his songwriting shit, he takes it to a level other rappers can only dream of. Like I said, no one out there, not even the heavy hitters like Kanye and Jay are gonna be making Stan or Lose Yourself anytime soon.
Eminem's body of work speaks for itself. He can get super lyrical. Everybody knows that. He doesn't have to do that.
"Dear mister I'm too good to call or write my fans. This will be the last package I ever send your ass! It's been six months and still no word, I don't deserve it? I know you got the last two letters, I wrote the addresses on them perfect!" is significantly better than "And to think I used to think you was the shit, bitch. To think it was you at one time I worshipped, shit. Think you can hurt people and just keep getting away with, it? Not this time, you better go and get the sewing kit, bitch."
One sounds like an actual pissed off fan writing a letter, the other sounds like a rapper trying to maintain the same lyrical uniform. It takes away from the feeling of the song.
He used to rap like he was talking to his listeners. Now he's like fuck it, I'm gonna make it a point to show off how lyrical I am.
Some songs suffer as a result.
Corpse_Welder wrote:I think he likes to tell us all that he's doing what he wants but...I believe he has a whole lot of influence from the label, his own highly competitive nature, and album sale/reception. That's why it's generally regarded that only underground artists can keep their true vision for their art
Hopsinshadie wrote:Corpse_Welder wrote:I think he likes to tell us all that he's doing what he wants but...I believe he has a whole lot of influence from the label, his own highly competitive nature, and album sale/reception. That's why it's generally regarded that only underground artists can keep their true vision for their art
I actually want to see Em drop the label & like in 8 mile when he said he's gonna ''do his own thing.''
Kippers wrote:I've had to register to agree with you.
I've been trying to figure out since Recovery what it is that I felt Eminem had changed and left behind, and it's this, 100% nail on the head this. Rapping to the listener as if he's talking to them in conversation, and the words just happen to rhyme.
He's lost - or decided not to focus on - his ability to tell a straight story. Relapse did it brilliantly (I'm probably a part of that cult appreciation which I didn't know existed until this topic). It was his stories that got me listening to his music around MMLP/TES when I was young, and Recovery seemed ultimately less interesting because it wasn't there.
He still has stories to tell, and what has been said about Bad Guy being pretty close, but not as affective as Stan, is how I also felt. Yet he hides narratives under a complexity which completely distracts you from it every time.
I think MMLP2 is a great album though. He's beginning to recapture something and I like it.
kkaniff wrote:I meant CorpseWelder, Em has been topping charts since SSLP. What on earth are you on?
Corpse_Welder wrote:kkaniff wrote:I meant CorpseWelder, Em has been topping charts since SSLP. What on earth are you on?
God damnit I hate when people react without actually reading or understanding. I said he GOT USED TO CHART-TOPPING meaning he's been doing it a while. His first 3 he was making his music with purpose, he didn't care about sales. Now it seems like he doesn't want to give up his position by making an album without Rihanna
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