When I started recording this album, a lot of the songs that I would play for people, they were saying it reminded them of that era. Which was kinda what I was going for in the first place, but the fact that other people started taking notice made sense.
2. Recovery was fumbled, while on the tracklist of H:TS we had
01. Welcome 2 Hell (prod. Havoc)
02. Fastlane (prod. Supa Dups)
03. The Reunion (prod. Sid Roams)
04. Above the Law (prod. Mr. Porter)
05. I’m On Everything feat. Mike Epps (prod. Mr. Porter)
06. A Kiss (prod. Bangladesh)
07. Lighters feat. Bruno Mars (prod. Eminem, The SmeeZingtons & Battle Roy)
08. Take from Me (prod. Mr. Porter)
09. Loud Noises feat. Slaughterhouse (prod. Mr. Porter)
10. Living Proof (Bonus Track)
11. Echo (Bonus Track)
and for those who forgot - that's 10 heavy pieces of boring, uninspired rapping by two old grympy MC.
beside one tracks
THE REUNION
1. sampling Devil's Night (sampling his old records is something he is doing all over the MMLP2)
2. storytelling (this is the one and only storytelling track on H:TS - an album of punchline rhyming. and, you know, storytelling is something he is doing all over the MMLP2)
3. delievery
And if they're scanning for fan's opinnions they surely knows, that everybody loves the track
So here we have MMLP2, an album following the same concept
And actually "The Reunion" will - sonically and tematically - fit great on MMLP2. Instead of Survival, for example...
And, on MMLP2 we have that great closing track - Evil Twin (btw, Royce named Slim "Evil Twin" on Reunion), produced by the same guy and i still haven't heard complaining about it
Now that's my theory. And i truly believe somewhere out there are a bunch of tracks on simple, early-eminem-influenced beats by Sid, with early-eminem-influenced lyrics, that are truly great, and are only waiting to be discovered
I hope he works with him more in the future
what do you think?