StayWideAwake wrote:EminemBase wrote:It's not a flaw...
Yeah it's him doing that but it's just new styles, as always.
People say it like he's accidentally fucking up his flow lmao, like it's broken.
No, he's doing that intentionally! It's how he's sounding on purpose.
Yes. His voice has always been dominant over the beat, especially in MMLP. He's always layered vocals at certain points in the line and for rhymes to make parts more powerful/louder/stick out more. He isn't changing approaches. Because his approach naturally yields different results, some people think it's a different approach altogether. His style is to rap unorthodox.
Double triple times aren't unorthodox. His flow pre-rehab was smooth as fuck I wouldn't call it unorthodox.
His post rehab flows have varied so much more and would be incredibly hard for any other rapper to reproduce.. The way he raps on every snare with his double-triple flow is impressive on a technical level but it's still a little rough for the musicality. He is leaning more on his technique than being a part of the song. I feel that's a difference in MMLP to MMLP2
One is a effortless, smooth intertwined flow that could be built into the beat. But MMLP2 is clearly on a higher technical wavelength. Switching flows constantly within each song and having a under/over enunciated delivery is obviously not easy.. But outside of praising an already well recognized wordsmith and a clear veteran rapper with a huge slew of flows to begin with, I want a smooth flow/delivery.
That being said I love the shit out of Brainless, Groundhog Day, and Don't Front.. Those are some examples of his best rapping of recent years.