by Amadeo » Jan 16th, '14, 12:05
1996-1999 Eminem: Writing lyrics to "skeleton" versions of beats the Bass Brothers would make for him. These lyrics were written so they could be rapped on virtually any other rap beat with the same tempo, if ever wanted to drop a "freestyle" on radio.
The beats he would write to would be so stripped down that he may as well have been writing to a metronome. The lyrics are so much better on paper in these days, since he's not humping the beat with every syllable. There were also plenty of funny jokes/lines that he wrote without a beat in mind.
2000-2001: Eminem now turns his attention to writing "to beats." He focuses more on switching up his cadence more to fit the beat and acting out his vocals...but the lyrics on paper still pack a punch (except for verses like Fight Music).
2002: Eminem goes too far in the direction of "riding the beat." Ends up with some songs with mediocre lyrics on paper (Business) due to his insistence on "sinking in" to the beat. He no longer writes to skeletal versions of beats...he produces them fully and then writes to them, and is starting to craft less creative flows.
2008-2009: Eminem starts to write to Dre beats, and even writes without a beat, to tempos in his head. Going back to his 1999 approach a bit.
2010-2013: Eminem's "stacking ammo" is no longer thinking of multis...it's now thinking of punchlines. He stops writing to beats and begins to shoe-horn punchlines into his verses, and the flow becomes disjointed.
So the lesson here is that Eminem probably should be writing to beats...but he should only have the general tone of the beat and the tempo of the beat in mind when he does...he needs to allow room for creative flow within his verses by not becoming a slave to the beat and just "doing whatever it tellz him."
His method for Headlights seems to be the way to go. Take a "skeleton version" of a beat from a producer. The beat has to have just enough going on to inspire a certain feeling in the lyricist, but not enough going on that it controls Eminem's pen. Once he's crafted the lyrics to the skeleton, make some additions to the beat to enhance your lyrics and vocals that you laid. This way, both the beat and the lyrics are organic.
This is a much better process than taking the full instrumental and trying to force the mood of your vocals to match the beat's, which is Recovery in a nutshell.