Hoopz wrote:Ok, my personal stand point.
Eminem Never was the best rapper,but thats my opinion, i like people like Talib Kweli and Bone Thugz, and even TI more than him, my beef with his producing, is how much he changed the original recordings.
on Crooked Ni**a too he drasticly sped the lyrics and it went from a classic pac song to Twista.
on Dont U trust me, he slowed the lyrics WAYYY too much, it sounded completely mechanical, not rapped.
On Ghetto Gospel, he cut out 3/4 of the original lyrics.
He barely ever kept an orginal tempo on pacs vocals, and made it sound like amature remixes on a 2pac forum, ive had so many people tell me my shit is better than em's on LTTG.
Em did good on a couple tracks, but i dont think he should have been givin rights to the ENTIRE album.
Man, you're so far up your own arse your breath smells o' shit. Is this the reason for this little tirade, a few years after the release of "Loyal To The Game", just to gain some props and to soar on a tide of critical acclaim? 2Pac, didn't even use the tracks that were being remixed and remastered to appear on any of his post-humous albums. So as far as Pac was concerned, none of these tracks were his best shit. Eminem got offered an amazing oppurtunity, to produce some of his idols unreleased tracks. I`m sure he sweated his ass off, trying to do the best he could with what was there to work with. But, it must be hard now, to find Tupac stuff that hasn't been used, and that's worth releasing. So I`m sure a lot of over-production was neccessary. Even if it wasn't no matter what EMinem did, he was still gonna have his haters. Not because of people hating him because he's Eminem, but because of the passionate fanbase Tupac has. As with anything that has a following like that, like comic books, there's such a huge fanbase to the original material, and when someone comes in and tried to adapt that to their ideas and visions, a lot of people aren't gonna like it, because people have different taste.
P.s Ghetto Gospel is a great track, props to Eminem for that one. It's probably his best track released post-hulously.